Jazz Studies
| JAZZ 101 | Beginning Theory for Jazz Studies I | |
| 1.50 credits | (2,1,0) hrs | 15 wks |
| This course examines the fundamental grammar and syntax of tonal music, developing the students' skills in notation and analysis of basic pitch and rhythmic structures. Topics progress from the overtone series, intervals, scales and modes through rhythm and meter, chords and principles of voice-leading. | ||
| Note: Jazz 101 and 102 together may substitute for Jazz 103. | ||
| JAZZ 102 | Beginning Theory for Jazz Studies II | |
| 1.50 credits | (2,1,0) hrs | 15 wks |
| Prerequisite: JAZZ 101 with a minimum C- grade | ||
| This course progresses to a more contextual investigation of the fundamentals of tonal music including harmonic progression theory, root position part-writing and use of chord inversions to create more melodic bass lines and a greater variety of vertical sonorities. | ||
| JAZZ 103 | The Language of Music | |
| 3.00 credits | (4,1,0) hrs | 15 wks |
| Corequisite: JAZZ 114 and 184 | ||
| An examination of the basics of tonal music including the study of the overtone series, intervals, scales, modes, chord symbols, figured bass, roman numeral analysis, melodic inharmonics, phrase structure, diatonic triads and voice leading. | ||
| JAZZ 105 | Rhythm Section Writing | |
| 1.50 credits | (2,1,0) hrs | 15 wks |
| Prerequisite: JAZZ 103 | ||
| Students will undertake the study of score preparation, notation, basic musical terms and articulations, and writing for the rhythm section instruments. | ||
| JAZZ 106 | Traditional Harmony and Composition | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 103 | ||
| Corequisite: JAZZ 107 | ||
| A study of traditional principles of voice leading with harmonic vocabulary extending to the secondary dominant and including tonicization, simple modulation and pivot chords. Binary and ternary forms will be introduced. | ||
| JAZZ 107 | Jazz Theory and Composition I | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 103 | ||
| Corequisite: JAZZ 106 | ||
| An introduction to jazz theory including: chord scales, extended chords, functional analysis of chord progression, primary and secondary root motion, and analysis and composition of music in the style of jazz standards and the blues. | ||
| JAZZ 114 | Class Piano I | |
| 1.00 credit | (2,2,0) hrs | 15 wks |
| Corequisite: JAZZ 103 | ||
| This course is designed for students who wish to learn basic keyboard skills. Reading, improvisation, transposition and harmonization are the skills developed during this course and the three subsequent levels. Theoretical concepts are applied at the keyboard and include diatonic triads and sevenths of the major key, all major, minor and modal tetrachords. A weekly lab evaluates material covered in class. Students practise on the department's pianos. | ||
| JAZZ 115 | Class Piano II | |
| 1.00 credit | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 114 | ||
| Corequisite: JAZZ 106 and 107 | ||
| A continuation of JAZZ 114. In addition, keyboard sequences, arpeggios and major scales are introduced along with easy original repertoire. | ||
| JAZZ 170 | History of Jazz | |
| 3.00 credits | (4,0,0) hrs | 15 wks |
| A survey of jazz through styles and stylists from its roots in Africa to the present. | ||
| JAZZ 172 | Arranging I | |
| 1.50 credits | (2,1,0) hrs | 15 wks |
| Prerequisite: JAZZ 103, 105 and 107 | ||
| A study of four-part block harmonization arranging techniques. | ||
| JAZZ 184 | Sight Singing/Ear Training I | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 103 is a prerequisite or co-requisite | ||
| Aural and sight training concentrating on melodic, harmonic, and rhythmic dictation and sight singing. | ||
| JAZZ 185 | Sight Singing/Ear Training II | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Corequisite: JAZZ 106 and 107 | ||
| A continuation of JAZZ 184. | ||
| JAZZ 196 | Jazz Performance I | |
| 3.00 credits | (4,0,0) hrs | 15 wks |
| This course gives students experience in group playing, jazz repertoire and basic techniques of improvisation. Topics covered will include: melodic paraphrasing; motivic development; relationship between lyrics and melodic/harmonic structure; chord/scale relationships; voice-leading guide tones; rhythmic construction of improvised lines; rehearsal techniques and elements of style and performance practice appropriate to the repertoire. | ||
| Note: This course is equivalent to JAZZ 136 and JAZZ 194. Duplicate credit will not be granted for JAZZ 136 or JAZZ 194. | ||
| JAZZ 197 | Jazz Performance II | |
| 3.00 credits | (4,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 196 | ||
| This course gives students further experience in group playing, jazz repertoire and techniques of improvisation, developing their abilities to apply knowledge and skills gained in JAZZ 196 to a more varied repertoire. Topics covered and techniques learned in JAZZ 196 will be explored in greater depth and applied to more complex harmonic, rhythmic and formal structures. | ||
| Note: This course is equivalent to JAZZ 137 and JAZZ 195. Duplicate credit will not be granted for JAZZ 137 or JAZZ 195. | ||
| JAZZ 203 | Jazz Theory and Composition II | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 106 and 107 | ||
| Continued exploration of chord progression and melody including: analysis of popular chord progression, mixed mode chord progression, augmented 6th chords, tonicization, chord scales/harmonic extensions. | ||
| Note: Prerequisites may be waived by permission of instructor. | ||
| JAZZ 204 | Jazz Theory and Composition III | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 203 | ||
| Continued exploration of chord progression and melody including an analysis of modern jazz chord progression, parallel harmony, 70's jazz theory of modal areas, modern voicing techniques, reharmonization. | ||
| JAZZ 214 | Class Piano III | |
| 1.00 credit | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 115 | ||
| For students who have taken JAZZ 115 or have had previous keyboard experience. Students are introduced to common idiomatic accompaniment patterns as well as four-part chorale studies, keyboard sequences, minor scales and chords. Basic keyboard techniques are emphasized including relaxation, touch, rotation, weight transfer and their musical application in simple repertoire. The lab hour is utilized to develop sight reading skills at the keyboard. Emphasis will be on developing the skills necessary to use the piano as a tool in writing and arranging. | ||
| JAZZ 215 | Class Piano IV | |
| 1.00 credit | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 214 | ||
| A continuation of JAZZ 214 with increased complexity of repertoire and technique. | ||
| JAZZ 236 | Vocal Improvisation I | |
| 1.50 credits | (1,1,0) hrs | 15 wks |
| Prerequisite: JAZZ 137 | ||
| This course is designed to develop the student's scat singing ability through the study and application of chord-scales theory. | ||
| JAZZ 237 | Vocal Improvisation II | |
| 1.50 credits | (1,1,0) hrs | 15 wks |
| Prerequisite: JAZZ 236 | ||
| A continuation of JAZZ 236. | ||
| JAZZ 240 | Form and Analysis | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 106 or MUS 101 | ||
| A study of complete works exhibiting the most significant formal designs of the 18th and 19th centuries, using a variety of visual means to clarify the roles of harmonic, melodic, and rhythmic structure in the articulation of musical form. | ||
| JAZZ 241 | Counterpoint | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 106 or MUS101, JAZZ 240 and JAZZ 203 | ||
| A study of 18th century tonal counterpoint and its connections with tonal music in general. Analysis and composition based upon two-part works of J.S. Bach. | ||
| JAZZ 250 | Introduction to Live Music Production | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| This course provides a foundation in basic audio production techniques for musicians - essential knowledge and skills necessary to assist in the planning and production of music performance. The student will participate as performer and as technician to gain a appreciation of both perspectives. | ||
| JAZZ 271 | Music History I | |
| 3.00 credits | (4,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 106, 170, ENGL 100 or 102 plus one of ENGL 103, 104, 105 or 106 | ||
| A chronological exploration of the repertoire, style, and social history of music to 1770 for undergraduate students in the Jazz Studies program. Repertoire will be contextualized both within the framework of European cultural history and in the broader context of world music. | ||
| JAZZ 272 | Arranging II | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 172 and 105 and 203 is a prerequisite or a co-requisite | ||
| Arranging projects for various combinations of instruments, plus a study of two and three-part writing. | ||
| JAZZ 273 | Music History II | |
| 3.00 credits | (4,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 271 | ||
| A continuation of Music History I covering the classical period through the 20th century. As in Music History I, repertoire will be contextualized both within the framework of European cultural history and in the broader context of world music. | ||
| JAZZ 282 | Improvisation I | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 107, 115 and 185 | ||
| A course to teach the basics of improvisation on chord changes. The first term will be devoted to rhythmic concepts, basic chord-scale relationships and development of technical exercises for basic chord progressions. | ||
| JAZZ 283 | Improvisation II | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 282 | ||
| A continuation of JAZZ 282. This term will be devoted to analysis of chord progressions and more advanced chord-scale analysis. At the end of this term, students should have the basic theoretical knowledge necessary to analyze and learn to improvise on any standard jazz tune. | ||
| JAZZ 284 | Sight Singing/Ear Training III | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 185 and 203 as a prerequisite or co-requisite | ||
| A continuation of JAZZ 185. | ||
| JAZZ 285 | Sight Singing/Ear Training IV | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 284 and 204 as a prerequisite or co-requisite | ||
| A continuation of JAZZ 284. | ||
| JAZZ 294 | Small Ensemble III | |
| 1.50 credits | (0,3,0) hrs | 15 wks |
| Prerequisite: JAZZ 195 | ||
| At this level, the student will receive instruction in ensemble performance for the recording studio. Students will perform and produce under supervision. Live performance will include 'standard' repertoire. | ||
| JAZZ 295 | Small Ensemble IV | |
| 1.50 credits | (0,3,0) hrs | 15 wks |
| Prerequisite: JAZZ 294 | ||
| A continuation of JAZZ 294. | ||
| JAZZ 300 | 20th Century Theory | |
| 3.00 credits | (4,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 204 and 240 | ||
| A survey of compositional techniques and theoretical principles utilized from 1890 to the present, coupled with an examination of various major composers and their musical masterpieces. | ||
| JAZZ 310 | Jazz Pedagogy | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 204 | ||
| Concepts, methods, and resources; examination and comparison of textbooks, recordings, tapes, and materials related to the study of jazz. | ||
| JAZZ 336 | Vocal Improvisation III | |
| 1.50 credits | (1,1,0) hrs | 15 wks |
| Prerequisite: JAZZ 237 | ||
| A continuation of JAZZ 237. Seats may be restricted to vocal majors. | ||
| JAZZ 337 | Vocal Improvisation IV | |
| 1.50 credits | (1,1,0) hrs | 15 wks |
| Prerequisite: JAZZ 336 | ||
| A continuation of JAZZ 336. | ||
| JAZZ 338 | Vocal Jazz Master Class III | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 239 | ||
| A continuation of Vocal Jazz Master Class II instruction with more emphasis on individual contribution and responsibility. Seats may be restricted to vocal majors. | ||
| JAZZ 339 | Vocal Jazz Master Class IV | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 338 | ||
| A continuation of JAZZ 338. | ||
| JAZZ 370 | Jazz Styles | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 170 | ||
| A follow-up to JAZZ 170. Detailed study of the major figures in jazz from 1940 to the present, such as Charlie Parker, John Coltrane, and Bill Evans. | ||
| JAZZ 372 | Arranging III | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 204 and 272 | ||
| A study of instrumental writing styles and techniques for big band arranging. | ||
| Note: This course is not always offered. | ||
| JAZZ 382 | Improvisation III | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 283 | ||
| This course contains both lecture and lab components. Content includes melodic minor modes including the "altered" scale, whole-tone and diminished symmetrical chord scales, chromaticism, and analysis and composition of solos in various styles. | ||
| JAZZ 383 | Improvisation IV | |
| 1.50 credits | (2,2,0) hrs | 15 wks |
| Prerequisite: JAZZ 382 | ||
| A continuation of JAZZ 382. Content will include: exploration of the harmonic resources of scales, chromatic approaches using pentatonic and altered pentatonic scales, 4th chord stacks, polychordal triad relationships, outside playing, and the philosophy of free jazz. | ||
| JAZZ 394 | Small Ensemble V | |
| 1.50 credits | (0,3,0) hrs | 15 wks |
| Prerequisite: JAZZ 295 | ||
| A variety of jazz styles ranging from 'bebop', 'mainstream', and 'current' will be studied, and students will perform, spontaneously, 'standard' repertoire. | ||
| JAZZ 395 | Small Ensemble VI | |
| 1.50 credits | (0,3,0) hrs | 15 wks |
| Prerequisite: JAZZ 394 | ||
| A continuation of JAZZ 394, with further emphasis on spontaneous performance of 'standard' repertoire. | ||
| JAZZ 410 | Conducting I | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 204, 215, 240 and 285 | ||
| A study of basic conducting techniques. | ||
| JAZZ 411 | Conducting II | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 410 | ||
| A continuation of Conducting I with emphasis on vocal and instrumental approaches. | ||
| JAZZ 460 | Commercial Relations in Music | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| A course involving aspects of the music industry including copyright, contracts, performing rights organizations and the recording industry. | ||
| JAZZ 470 | World Music | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 240 and 273, ENGL 100 or 102, plus one of ENGL 103, 104, 105, 106 with a minimum C grade | ||
| A study of the musics of the world outside of the Western European tradition. | ||
| JAZZ 472 | Jazz Arranging IV | |
| 1.50 credits | (2,0,0) hrs | 15 wks |
| Prerequisite: JAZZ 372 | ||
| This course will give the student a practical understanding of the different techniques used in arranging for large jazz ensembles and vocal ensembles. Students will write their own arrangements and hear them played in class. | ||